Essential: a New York Times guide to shooting videos on a smartphone

Published on
16/04/2018
Updated on
05/09/2025

What to remember

[TO READ] The New York Times publishes A guide intended for great beginners in video shot on a smartphone. Among all these good tips, here are 5 to remember... before going deeper into the subject with our tutorials!

1. “Zoom in with your feet”

Never use the zoom on a smartphone. This is a digital zoom that degrades image quality. The formula of New York Times is crystal clear: if you need to get closer to your subject, nothing beats your feet.

2. “Keep both hands on the phone”

“It may seem rudimentary, but it makes a difference. Smartphones most often have an already effective stabilization system. But by using both hands, you get even better stability.” The advice also applies if you use a grip, like Those of Shoulderpod.

3. “Never interrupt your subject during an interview”

After that, ask him to keep looking at the camera for three seconds when he finishes a sequence.
This will allow for a much smoother assembly!

4. “Technology is not everything”

As the article shows by comparing two movie sequences, it is the meaning that takes precedence in video: “A video can resonate for reasons other than a superb technique. (...) Often, a powerful video, even if it has flaws, will appeal to us in a different way.”

5. “Do not hesitate to equip yourself! ”

The advantage is that it will not cost you very much but the result will be astonishing. For our part, we opted for a Rode microphone (45 euros and puncture-proof), a Shoulderpod grip (37 euros on amazon) and a tripod (21 euros from the same seller). If you only have to choose one, go for the mic.

Ready to get started?

Watch Rémi's video, a checklist “so you don't forget anything before you start filming” :

 

To find out more, read The very complete New York Times article.

Motif de flèches bleues pointant vers la droite sur un fond noir, avec une intensité et une densité de flèches qui augmentent de la gauche vers la droite.
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